ARCHITECTURE
01. Open Data:
Re-Imagining Data Infrastructure
UC Berkeley Design Studio  ARCH 100D

Academic, 2025
Individual Work
Instructor: Georgios Eftaxiopoulos

02.
Cruciform Stone Column
Research Project for (Im)material Matters Lab, UC Berkeley

Academic, 2024
Collaborate with David Lin
Instructor: Liz Gálvez

03.Geometries of Expression:
Transforming the Creative Arts Charter School
UC Berkeley Design Studio  ARCH 100C

Academic, 2024
Individual Work
Instructor: Ryan Keerns

04.Vaguely Square & 
Very Square Pavilions
UC Berkeley Design Studio  ARCH 100B

Academic, 2024
Individual Work
Instructor: Amanda Bridges

05.Intertwined Worlds:
Office for Working Mothers

UC Berkeley Design Studio  ARCH 100A

Academic, 2023
Individual Work
Instructor: Liz  Gálvez

06. Interlocking, Interspersing: 
Rushan Art Museum
YAC Competition

Competition, 2023
Collaborate with Jason Yu, Leo Zhang, Yuchen Zhang

07.Ephemeral Beacons 120 Challenge

Competition, 2025
Collaborate with Jason Yu, Leo Zhang

08. InsertionIndividual Work, 2022
09. Labyrinth Individual Work, 2022

10. Practice: Extrusion Individual Work, 2022

11. Overlapping Pressure Individual Work, 2022

12. Grid System Individual Work, 2022

#.COMING SOON...UC Berkeley Design Studio  ARCH 11B

Academic, 2023
Individual Work
Instructor: Rudabeh Pakravan

#.COMING SOON...UC Berkeley Design Studio  ARCH 169?

Academic, 2024
Individual Work
Instructor: Yasmin Vobis

#COMING SOON... 
Repair of City
Individual Work, 2020

#COMING SOON... 
Material Research: Cup Cloud
Individual Work, 2020

05. Intertwined Worlds: Office for Working Mothers

UC Berkeley Design Studio 100A

Academic, 2023
Individual Work
Instructor:  Liz Gálvez


This project reimagines the office as a dual-world environment for working mothers and children. Using a subtractive massing strategy inspired by Tony Smith, carved voids operate as circulation, thresholds, and zones of encounter. An independent children’s landscape, shaped by continuous play, angled walls, and non-orthogonal spaces, is interwoven with a light and open workplace. Rather than collapsing work and care into a single environment, the architecture allows them to coexist through spatial differentiation, visibility, and controlled overlap, creating a resilient framework that supports multiple modes of inhabitation.





Part I:

The Part I of the project is to create a massing form based on the Tony Smith sculptor and use the “subtracting” method. the building is organized around a primary and secondary volume carved by voids that become circulation, thresholds, and moments of encounter.

NIGHT, 1962, Tony Smith



Part II:
In the second phase, the massing is transformed into a continuous, playful interior world inserted into the office: a looping sequence of slides, ladders, angled stairs, and spiral staircases that creates a playful, wandering experience. Thick, angled walls form the boundary between adult and child spaces, producing non-orthogonal rooms, elongated thresholds, and programmatic poche.



Top Left Image: Inspiration, “NIGHT” by Tony Smith
Top Middle Image: Negative Space Massing Model
Top Right Image: Positive Space Massing Model
Middle Image: Explode axon drawing, colored part showing the children circulation, highlighting the inserted massing
Bottom Image: Section drawings



Part III:
Together, the project constructs two intertwined spatial systems: a light, open, and productive environment for adults, and a dense, tactile, and exploratory world for children. Rather than separating work and care, the architecture allows them to coexist—enabling interaction, visibility, and mutual presence without sacrificing autonomy.




Top Image: Plans
Middle Image: Render, daycare interior, showing the independent circulation for children
Bottom Image: Render, floor 4 running track with a view of the floor 3 open office, showing intersection of the adult world and children world






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